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How sad is this?

Bad Acting and worse Bad Screenplay

Really lovely storyline, well acted and genuine, I absolutely loved it. It wasn't what I expected and the advert really does not do it justice. I would recommend it to anyone. It also has a truly stunning accompanying soundtrack and I would highly recommend just listening to on its own. Its a very gentle film that doesn't pull its punches, its truthful and as the film goes on and the story starts to pull together you really start to realise how beautifully thought out it all is. It touches on the themes of neglect, a badly run welfare system and the horrible cycle of poverty and unfairness. Totally uplifting it made me cry twice! This film really does not get the credit it is due. Watch it and recommend it to all your friends!

The thing that makes me connect with independent films is that they make you think. Hollywood blockbusters just don't seem all that poignant anymore. For this reason I am glad that Netflix suggested A Bag of Hammers to me. It tells the story of two lifelong friends whose bond was developed over hardships in childhood. To make ends meet these two have a very lucrative career as con men. Their lives and friendships are tested when they inherit an orphaned boy, a boy in whom they see a lot of their own struggles of youth.I really connected with the cast and was genuinely touched by Jason Ritter's speech on the Bag of Hammers that is in the film. It had the perfect feel for a modern independent film with a modest budget, realistic locations and important message that tackles modern-day dilemmas. It is a unique take on the coming of age story, not just for the orphaned boy, but for the two con men who must finally come to grips with growing up.

Brian Crano's film A Bag of Hammers is part of the modern subset of indie dramedies, films that try to embrace cultural or social issues but finding a proper mix of quirky humor and twisted situations that somehow bizarrely mirror real life with a touch of humor and dash of heartbreak. While this mini-genre is at its fullest popularity, Crano's film doesn't reach the brilliance that other films similar has done. Ben (Jason Ritter) and Alan (Jake Sandvig) are two friends who make a living by stealing cars through their valet service (how they aren't caught, the world may never know) and sublet part of their house to a struggling single mother, desperate to get a job and provide for her son. The boys end up taking care of the child themselves and must decide whether they are ready to move past their own adolescence to raise a son as their own.The plot suggests class statements, coming-of-age, and a type of conflict that would usually inhabit a Fox sitcom or a 1980's comedy. While some of these ambitions play out, most of them fall flat or are too jumbled to reach any real potential. Ritter and Sandvig give it their all, with Chandler Canterbury given a misdirected performance of vague longing. The film relies on a soundtrack to convey emotion instead of proper, driven dialogue to propel the narrative to create something more. The film has it's heart in the right place, but the execution denies it's ultimate success. C

I've never felt the need to review a movie before, but I absolutely loved this movie and as it finished I just wanted to tell someone to see it! As it's Friday night and all my friends are busy at the moment I'll just have to tell you guys: Go and watch this movie! I'm not going to say anything about the plot, the trailer covers just enough, the viewer understands what it's about but there are still surprises along the way in the plot and emotions that comes up. I highly recommend this movie to anyone. If one of those who made this movie happens to read this; Thank you. You made my weekend. Ingrid