Clever and entertaining enough to recommend even to members of the 1%

Amazing worth wacthing. So good. Biased but well made with many good points.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

The film never slows down or bores, plunging from one harrowing sequence to the next.

One of the things that might bring the movie down for you (as it did for me), was/is the acting. It is very crucial to feel or at least be with those characters along the ride (no pun intended). The movie does not achieve that goal wholly in my humble opinion. So while this is dramatic (and the storyline with flashbacks shouldn't be confusing, it's actually adding to the suspense up to a point), it fails to really completely suck you in.Is reality that bleak though, is what some people seem to ask, and the answer can be yes. It depends where you live and what you consume. I was a bit mad at first, because the movie showed one character playing a war game and this character is hostile. It feeds into clichés, which isn't really good. Fortunately they also showed, that other factors are playing a role in the development of ones character. Decent overall, worth a watch I'd say

Four kids all are linked together in the midst of a carjacking gone fubar, we move between this and flashbacks to the lives of the various people involved in a vain attempt to find reason. It can't all their fault, they must be a product of society. Or racist cops. Or whatever other P.C scapegoat we can point a finger at. We've all seen this type of movie a million times over and much better than first-timer Aimee Legos can seem to muster in her freshman offering. Spike Lee she is decidedly not. However the acting is serviceable enough even if the story is blatantly entrenched in a liberal whit guilt mindset.My Grade: D

Movies in which separate story lines converge are tricky to pull off, and "96 Minutes" is an example of the ways in which it can go wrong. This is not to say that the film is a total failure or even bad; it simply doesn't reach its full potential. Writer/director Aimee Lagos is obviously sincere in her efforts, and through her characters and the desperate situation four of them end up in, she makes some valid points about class, race, and the legal system. The issue is not the intent, but the execution. Some of the dialogue, for one thing, is just shy of preachy, which in turn makes specific situations seem mechanical and forced. There's also the fact that, because the story weaves several story lines together, it occasionally veers into territory that's either completely incidental or so distantly related that its overall effect is negligible.It also doesn't adequately explain the ninety-six minutes referred to in the title, seeing as the film takes place over the course of roughly a day. In all likelihood, it's a reference to an incident in which the lives of four people are irrevocably changed. I'll delve into that more in a minute. For the time being, let me reiterate that the film has all the right ingredients. What it lacks is a practical method of stirring them together into a cohesive and satisfying whole. Having said that, there is a certain degree of power to the ending, in which the fates of two characters are revealed. It's not simply of outcome; we are made to really think about what has happened to them and why. It effectively addresses the notion that in life we have choices, and with those choices come good or bad consequences.The film freely shifts back and forth through time, intercutting between a dramatic carjacking and the events leading up to it. For the purposes of clarity, I'll go against its freeform structure and describe the plot in chronological order. Taking place in Georgia, we meet a college student named Carley (Brittany Snow), who studies law and is usually too busy to take a break from schoolwork. This is largely due to her father, and while he's never seen, it's made perfectly clear that he places great pressure on his daughter to succeed. He tells her over the phone that he'll be too busy to attend her graduation. That's not the one that counts, anyway; he'll be there when she graduates from law school, which has always been the plan for her. But does she really want to become a lawyer?Next, we meet a high school student named Dre (Evan Ross), who comes from a crime-infested neighborhood and attends the kind of high school where you have to pass through a metal detector at the entrance. Although he has been working hard academically and is eligible to graduate, he finds himself torn between pursuing an education and staying loyal to his gang roots. Part of him knows that, in the real world, he will be seen as yet another African American statistic. His dilemma is exacerbated by his friend, Kevin (J. Michael Trautmann), an angry sixteen-year-old. He lives with his mom, who's not only negligent but is also dating a man that abuses them both. Kevin doesn't attend school. He has no prospects. His only goal is to join a local gang. They tell him to steal someone's car, although they have no intention of letting him in.Dre takes Kevin to an area just outside of the college in an attempt to offer a healthier means of escape. A confession leads to an altercation, which then motivates Kevin to go through with a carjacking. As it so happens, Carley has just left a bar with one of her classmates, Lena (Christian Serratos), who knows her boyfriend is a womanizing jerk and yet can't stand the thought of him not loving her. As they reach Carely's SUV, they're approached by Kevin, who at gunpoint demands that they both get in. Lena isn't as quick to react, and so Kevin shoots her. Dre, now in a panic, takes the driver's seat. What is he to do? If he does the right thing and takes Lena to the hospital, both he and Kevin will get caught, and both their futures will forever be ruined. If he lets Kevin kill both Lena and Carley, they may escape, but he will have a tremendous burden weighing on his conscience.At no point are Dre's current living circumstances made entirely clear. We see him living alone in a barren house, and while it is feasible to assume that he's taking care of himself, he has no apparent source of income. The film is further weakened by several superfluous and barely related subplots, one being Lena's relationship with her roommate and her insecurities over her boyfriend. Another involves the owner of a small barbecue restaurant, whose primary function is to conveniently reappear at a time when he's needed most. We learn about his nephew, who has finally discovered girls and is ready to start dating. This is compelling in and of itself, but as part of "96 Minutes," it's just filler material. This movie doesn't quite work, although I do give Lagos credit for trying.-- Chris Pandolfi (www.atatheaternearyou.net)

Like another film CRASH, 96 MINUTES tackles the subject of race, gangs, and inner- city lifestyles. It is heartbreaking in it's execution of the story. Two young females, whom are approaching college graduation are out with friends when the are approached by a man with a gun demanding their car keys. After one women is shot and is nearing death, they are put into the car, and brought along with men. Sounds pretty simple, but the use of non- linear story telling used to tell the back story on the two females, and their two captors is very compelling. By the end you realize that the women aren't the only ones thrown into a bad situation. Dre, one of the "villains", brought much sympathy to his character. It's really an intense character study on the mind of this kid, who seemingly has his life on track until this night. In the aftermath, when Carly is in the visiting room at the prison, my heart went out to both characters, both sides of the glass. Actions and choices are everything, and the quickest decisions can change and ruin your life. Very well done film, certainly deserves a better release than it got.