one of my absolute favorites!

Nice effects though.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

By the time the dramatic fireworks start popping off, each one feels earned.

You'd be better off reading the plot of this somewhere and saving yourself some time. But if you like watching different people driving vehicles for extended periods from a passenger's perspective, you'll love this. The makers were obviously looking for some kind of real-time realism by keeping the camera lingering on scenes where nothing important happens, where a person is just thinking and driving. This kind of reminded me of car interior scenes in early Tarantino films (the only ones of his worth watching). However, they were more stylish and involved action and purpose.In this movie, the okay acting is spoiled by the pointlessly long lingering shots in vehicles and elsewhere. Check out Sicario instead if you're looking for a Mexican cartel movie and avoid this one.

This has to be one of the worse movies of all time. It is a very slow paced movie and poorly directed. It takes 5 minutes for the movie to let you know that Tim Roth is driving a suburban with the kid in the back sleeping. Then they are taken to the boys uncle who is eating and wants to see the A.T.F. agent. He tells his guard to go get him, (remind you, the vehicle is parked in a gated area next to the back door)the uncle clears the table of ALL dishes and washes them ALL, before agent is brought in. Then another scene the boy is crying for five minutes while we as an audience have to endure this for no reason. Make your point in the movie and then move on to next scene. The rating of "R" is not for any of the shooting that takes place. It is for ridiculous and retarded. Just before head gunrunner is killed, Tim Roth runs out back door and kid is cowering behind a credenza. One of Capi's men without taking any precautions, runs directly into the same path as Tim had traveled only to be mowed down. In summary: Anyone wanting to save themselves some money and want to have a boring evening, I'll be glad to give you my copy..Such a waste!!!

This is Mexico's submission for the 2016 Oscars, and it's a semi-kinetic B-movie with good acting but no story. A G-man (Tim Roth) on the trail of teenage gunrunners gets himself kidnapped by one of the Latino teens, who doesn't really know what to do with his likable victim. It all ends in violence although director Gabriel Ripstein adds an amusing coda to keep it light. With minimal character development and mostly unpleasant characters, 600 MILES acts like its plot twists are tremendous.... they are as diving behemoths with the equivalent crushing effect, rendering the movie quite boring. Further proof of bore city: Endless tight shots of people driving and standing, or just staring into space. A B movie masquerading as artistic vanity is a waste of effort. Ripstein, who also co- produced, edited among other things, could have gained more market value for his film by just doing it as a straightforward B-movie. At least then we could revel in expanded villain roles. The villains here are boring, too. Not Oscar worthy.

The son of Mexico's prominent filmmaker Arturo Ripstein, makes a debut like a few, with a big cinematic crime thriller that talks about humanity and it's advantages and disadvantages through the smallest workers of each band, the one of the crime (a Mexican drug cartel) and the one from the justice (ATF), showing that none of them are evil or good, they are just acting from their human behavior. There is not a big plot and a big twist, as it more focused on it's principle themes, the film shows an agent that get caught in a nasty situation when a young criminal he is following gets to apprehend him and the relation they create in a long travel the criminal has to do to show him to his boss. That's it, the interesting part is how the director takes this simple actions to go further, approaching the substance of his film with delicate affection. With a calm rhythm and performances well directed (Tim and Krystian develop and incredible chemistry), this film gets to the point it is looking for. The cinematography is clean, very natural. Maybe it is not for everyone and less the mainstream audience but it will keep them in their sits with a couple good but breve shootouts as it is no intention to look for an action flick position. Deep, meaningful and beautiful. One of the best films Mexico produced this year.