Overrated and overhyped

The best films of this genre always show a path and provide a takeaway for being a better person.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

She is from Seattle; he is based in New York. He is a novelist; she is a data miner. They travel in their work and meet now and then. They are rather guarded about their personal information, but are obviously attracted to one another. They get to know each other over time. She reads his book and likes it.Eventually they talk about anything and everything. Their careers change over time. They discuss the meaning of what they do. They deal with life events.When he is about to get married (she has been for some time), they talk about dropping their mates and marrying each other. But somehow it does not happen.They have some tough times as well, such as when they talk about why they have not married each other. The ambivalence shines through again.Some of their pretend conversations about possible lives together are fantasy, but still priceless. The acting by Chris Messina and Marin Ireland was very nuanced.She gets pregnant, and decides to rear the child with her husband of record. Both of them have trouble dealing with it, but it's the decision that involves the least damage. Other changes come along, like his inability to drink coffee, due to a stomach condition.Will they keep meeting, or will their married lives force that tradition to break? -------Scores-------Cinematography: 9/10 Fine, except for the occasional camera shake.Sound: 9/10 No problems.Acting: 10/10 The two principals are quite good.Screenplay: 9/10 Well told evolution of a long-lasting affair between two people who are more than friends.Strong resemblance to 'Same Time, Next Year' with Alan Alda and Ellen Burstyn, 1978.

This Slice of Life film seems to have been pieced together from the submissions of a 28-student class of fledgling Screen Writers. Each scene has the same framework, which identifies the requirements of the screen writing teacher. From that point on, each Student is given the freedom to flesh out their scene as they see fit in order to make each of them unique in some fashion. The Casting Director was lucky to cast a pair of actors who have the skill and experience necessary to fulfill each of the student screen writer's dialog and directions. However, the way the scenes are pieced together make the 82 Minute length seem like the film is dragging in some scenes.

I thought that this was an excellent movie. I am surprised to see that this movie didn't get much advertisement and didn't gross much in the movies. This movie showed the story of two people who were having an affair side of the story. You could tell that these people truly loved each other but struggled with taking a leap of faith and following their hearts. I am sure a lot of people can relate to that. The only thing I didn't like was the ending because I don't like to fell like I am left hanging and wondering whats going to happen next. I also thought that the acting was pretty good too. I never heard of the actors, but would love to see them both in other movies. Bottom line, if you are into love stories and believe in soul mates then you would love this movie.

A memorable film, a visual treat, so skillfully shot, and emotionally real with outstanding performances by two people caught up in doing the wrong thing when unable to resist the pull of forces many of us might succumb to or at least feel.Matt Ross has built this work around two characters that are flawed and perhaps not adequate in substance for his prodigious talent but what he has created flashes with real insight into what happens when passion and love arise and grow within the confined space outside marital vows. We know from the start that we are on a journey where anything might happen and Ross's management of that wild ride is handled with an impressive intelligence while avoiding the predictable outcomes. Viewer response could understandably be driven by whether he/she can empathize with the wrong doers or the off screen victims.I can't wait to see what is next from Mr. Ross.