Awesome Movie

A bit overrated, but still an amazing film

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

I saw this the 2nd time yesterday night and it impressed me even more than the 1st time. There's not a single fault I could find with this movie and so I had to give it a 10. Usually I never go beyond 8.Its very hard hitting, engrossing with some very crisp screenplay, direction and super acting from everyone involved. Even the end is so different.One of Manoj Bajpai's best work - Hats off to you, sir Very surprised the director hasn't done anything since then - Where has he disappeared? Take a bow, everyone who is involved with this movie - Its a masterpiece.Do yourself a favour and get a DVD of this movie with some popcorn - You will NOT regret it for a minute

'1971', though deals with the Indian prisoners of wars in Pakistan, it isn't a film that would only appeal to Indians but to the world. One of the most finely crafted films of recent times, '1971' scores high on every department. Though the plot is fictitious, this movie does raise the question of what happened to the real prisoners of war who were last seen in Pakistan in 1988. Completely ignored, by the rest of the world, what has become of those brave soldiers? '1971'is finely balanced. Nothing is over the top or unrealistic. It refrains from the stereotypical hatred and bloodshed that has so often been shown in films of this genre. '1971' is breathtaking in its technical craft. Maybe a few scenes would have been more effective without the background score. Yet, the score itself is mesmerizing and helps us follow the characters' journey. Amrit Sagar deserves immense credit for taking up the challenge and giving us a fine piece of work through brilliant execution, strong characterization (credit also goes to Piysuh Mishra) and amazing storytelling that ends with a shattering conclusion.Manoj Bajpai delivers the finest male performance of the year (and one of his best). It's great to see him after a long time with a film that does full justice to the actor. The rest of the cast including Deepak Dobriyal (another fine work after 'Ómkara'), Chittaranjan Giri, Ravi Kishan, Kumud Mishra, and Manav Kaul were equally excellent in their roles. The film doesn't have many songs but the few were used effectively (in the background mostly). Screenplay is one of the best and is simply beautiful. It has its few light moments and dark moments but as I have mentioned above, nothing over the top. Cinematography is well done. Editing is allows the film to be complete as every moment in the film sticks to the main plot.Now I wonder how such a fine piece of work hasn't received any attention from critics or audiences? It seems to be already forgotten and it hasn't been more than a few months since its release. I wouldn't scare away from calling it one of the best films and more people should watch it. I'll quote another commenter because I exactly feel the same ¨Watch this movie for it's passion. Watch this movie if you want to learn what film-making is all about. Watch this movie to take home some true feelings about the people who have never been thought of. Don't let the sand wash away, preserve your soil. Let the talent be ripe in this dying beautiful world. But for the almighty sake, don't watch this movie for the critics. Watch it for yourself, watch it alone and you will walk back with great honor in your heart. That's my word for you.¨ This is one movie that's not to be missed as it's rare to find something as balanced, brave, brilliant and beautiful created by a filmmaker (let alone a débutant).

The movie is about Indian soldiers held as war-prisoners in Pakistan since 1971. The plot is of 1978 when they plan a final escape. The protagonist is one of the soldiers. With Manoj Bajpai in the leading role, the movie is very meticulously made. No 'gadar' like stuff and thank-god no amitabh bacchan as army major (he is there is every freaking movie i watch). No songs in the wrong place (infact there r only 2 songs...wow !) The action and direction is awesome. I liked the story, the plot...the way they plan for an escape. The idea/message that the director might have wanted to put across, the story of POW in Pakistan, has been put across. The end of the movie is sad and quite unexpected. I would strongly suggest to watch this movie.

Prologue -54 'Prisoners of War' (POW) have been captured by Pakistan and never returned to India or told to the world. No one knows what happened to them. Till now, till date. The Intelligence Bureau reported that still some of them were alive in 1988. Indian Govt never really 'cared' to find out about their existence. It remains a mystery till date, whether some war prisoners are still hoping to live, waiting to die in the remains of a hapless country which betrayed Red Cross, all international norms of War. This story is a fictitious rendering about 6 such Lts and Commanders who tried to escape. This story is their journey of hope in telling the truth to the world.Will they make it to the border? Will the world come to know about the rest of the POW?Rarely do you see a quality cinema surpassed by it's own excellence in every technical department in a debut making. 1971: Prisoners of War will surprise you, touch you deep within and astonish you with it's film making brilliance. India is awakening and new talent is booming. Ironically the pathway is still led by stars who endorse everything from toothpaste to banks, Big banners which have anything but little to offer in path breaking celluloid. Here comes a movie straight from the heart. With utter honesty weaved with a brilliant execution of screenplay, acting, story telling, characterization, background score, in a thematic foreplay that could raise eyebrows to the world cinema critics.There have been war movies before, many repetitive takes on Indo-Pak relationships, many patriotic themes. This movie does what all other movies never could touch. It touches Patriotism at an international level beyond the boundary of a country. You don't necessarily have to be an Indian to watch. It is like Love, without any barriers. Patriotism has no nationality. It touches a human spirit & emotions behind a facade of war-zone. There is no hatred, animosity. You do not see Slangs starting with M* or B*. There is no bloodshed, no violence, no hatred for each other. Instead, what you see is much more sophisticated Art of War. Strategies, Planning, Contrived Army Politics. All wrapped up in a perfect edge of the seat action and story telling like you've seen in good foreign cinema.Manoj Bajpai is first class, perhaps his best performance till date. Watch out for his scenes towards the end. Every other character is beyond brilliance, you may not have heard their names before but it helps to relate to their characters which has been portrayed brilliantly, each one of them. The young Amrit Sagar, son of the legendary filmmaker "Ramananda Sagar" (maker of Ramayana TV series) makes a debut like no other, from his brief stint in the US; doubling with his 16 year old brother to compose the background score for this movie and his Uncles as producers. This is a family effort who passionately made this movie. For once, you will begin to think, a new sound is born. A new AR rahman has risen. There are 4 songs, all perfectly blended in the bg in this movie (one spellbinding theme music during the end titles sung by Shibani Kashyap). Couple of these songs have been sung without any music but just plates and table. That is a complete retake on filming songs!The Editing is crisp, not a single scene are you taken away from the story. Cinematography is not top notch but commendable with scenic routes of Himachal Pradesh, Kulu with it's semi-sepia tone and slow action steady cams. The Writer Piyush Mishra brings his experience from his previous epic writing - Legend of the Bhagat Singh; does a fantastic job with realism in every character. As a comparison to a feeling of realism & passion you could think of "Hotel Rwanda" or Swades. Inspite of it's shades of inspirations from the theme of "Great Escape", this movie begs to grab your respect.It's rather ironic that at a time when India needs a boost for young talent with an international outlook on film-making, the critics and the audience betray them yet again. It's been a month and I haven't seen a single critical review of a movie or discussion, which I personally think is one of the best Indian crafts I've ever watched. What a shame. This needs a lot better attention. This is the kind of movie you would want to proudly represent at the academy awards.Watch this movie for it's passion. Watch this movie if you want to learn what film-making is all about. Watch this movie to take home some true feelings about the people who have never been thought of. Don't let the sand wash away, preserve your soil. Let the talent be ripe in this dying beautiful world. But for the almighty sake, don't watch this movie for the critics. Watch it for yourself, watch it alone and you will walk back with great honor in your heart. That's my word for you.****** Songs ***** "Sehlenge Hum" - Sung beautifully, in an absolutely spellbound voice by Shibani Kashyap "Prelude to the show - Instrumental" - You may be think it's John Williams or James Horner who composed this piece. Ironically its a 16 yeard old debutante ..."Saajna" - a great sufi ghazal ...