102 Minutes That Changed America
102 Minutes That Changed America
| 11 September 2008 (USA)
102 Minutes That Changed America Trailers

The morning of September 11, 2001 is shown through multiple video cameras in and around New York City, from the moment the first WTC tower is hit until after both towers collapse.

Reviews
Bereamic

Awesome Movie

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RipDelight

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

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Siflutter

It's easily one of the freshest, sharpest and most enjoyable films of this year.

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Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Steve Crook

They said in the opening credits that this was made from previously unseen footage. There's good reason that it was previously unseen - most of it is of extremely poor quality, even the parts shot by professional crews. I presume that all the better quality parts were used in the many other documentaries. Lots of shots of not being able to see very much.It was interspersed with extracts from radio & TV commentators uttering the usual inanities and not really not what was going on. Many reports of "panic on the streets" - following by shots of people trying to get away as quickly as possible, but no sign of any panic. Lots of news crews disregarding the advice to clear the roads or leave the area, getting in the way of people trying to help other people.911 operators telling people in the twin towers to stay where they were, the firemen were on the way. But they couldn't be expected to have known that the towers would collapse. I doubt if even the attackers expected that.

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Amin Jacoub

I've seen many documentaries about this horrible tragedy but non of them did have so much shocking atmosphere.It is not typical documentary with narration or speaking hosts, it is true image of the tragedy very intelligently made from multiple camera shots and recorded voices of people that witness it from beginning of the attacks.The background music is of pure horror that follows scenes from first shot till the moments when huge dust settled after both towers collapsed.It is the image of the real situation, the pure horror of that tragedy, the real image of human fear and shock. If you ever saw catastrophic movie and you know the excitement feeling, this documentary will make you feel shocked, speechless and with tears in your eyes.Great great work.

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Antonio Cassone

I am literally in awe of this film. The dynamics are so extreme, the images not only heartbreaking and historic, but the definition of a tragic day that defines a generation. While difficult to take it all in, you can not take away from the heroes, the struggle people went through and the sheer collective overwhelming sense of panic and loss. It is as though you are there, but witnessing it from afar. I can see why this won all four of it's Emmy Awards, especially for the editing and sound editing and mixing - all of which are nothing less than top notch. One of the best made films of the year. This film captures the humanity as well as the force and power of science. When it tells you to move, you move. The pace of this is a phenomenal display of the events it shows. Bravo!

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markgorman

Channel 4 has absolutely surpassed itself in screening this moving and extremely challenging documentary. For two hours, image after image took one's breath away as we saw real (but mostly very high quality) video footage of the twin towers collapse from 8.45 am until 10 29 am. Played sequentially with views from all angles including actually inside the towers it was heart stopping television.I think one thing that made it so powerful was its lack of commentary and opinion. It was not a political film, simply an unfolding of an event in something like real time. Some might say it was the extremest form of voyeuristic television but I thought it was a work of true skill and, indeed, art. I should make special mention of the constant but very subtle musical underscore, by Brendon Anderegg, which was quite beautiful. Someone call the BAFTAs. (And the Academy, and the Emmys.) Truly magnificent TV.

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